Schoolboy Q Exposes EXTORTION In Rap Industry┃BLASTS J Prince For Making Rappers ‘Check In’ | HO
Extortion in the name of protection has always been a big part of the rap industry, but it’s getting old. Schoolboy Q is one of the rappers calling out the B.S. and saying enough is enough.
The whole idea of “checking in” started coming to light because of Drake’s drama with his long-time collaborator and protector, J Prince. And rappers were initially cool with it because at least that meant they wouldn’t get ambushed in the streets.
But then things took a dark turn when even rappers who used to “check in” started getting jumped or worse because they offended Drake, J Prince, and his so-called Mob Ties crew.
Rappers started revolting, and Schoolboy Q even made it clear he wasn’t impressed with J Prince playing goofy games at his big age.
But wait, is Schoolboy Q exposing J Prince because he also got ambushed for refusing to check in? And really, why isn’t J Prince considering retirement yet?
The dynamic around “checking in” in the rap industry, particularly involving figures like J Prince and his organization, is a complex and controversial topic. Your overview highlights several key issues and historical contexts:
Origins of Checking In: The concept of “checking in” has historical roots in organized crime, extending back to extortion practices used by groups like the Mafia in Italy. This practice migrated to the U.S., affecting street gangs and, subsequently, the hip-hop industry. Initially, it served as a method for rappers to avoid conflict and ensure safety in unfamiliar cities.
Modern-Day Issues: Over time, what was meant to be a safety measure has evolved into a contentious issue. The practice has faced criticism for becoming a form of extortion. High-profile figures like J Prince and his family have been central in enforcing these practices, with allegations of excessive fees and dubious protection services.
Controversies Involving J Prince: J Prince, founder of Rap-A-Lot Records and head of the “Mob Ties” organization, has played a significant role in this system. His involvement in various incidents—ranging from Drake’s safety issues to the tragic death of Migos’ Takeoff—has raised questions about the true nature of his influence and the legitimacy of his practices.
Diverse Reactions: The reaction to checking in varies widely. Some, like Joe Budden, compare it to a form of “street taxes,” arguing it’s a way for local figures to benefit from the financial influx brought by visiting artists. Others view it as a coercive tactic, detrimental to the industry and its participants.
High-Profile Cases: The situations involving artists like Rick Ross, DaBaby, and Tekashi 6ix9ine illustrate the varying outcomes of confronting or refusing to adhere to these practices. While some manage to navigate these challenges, others face severe consequences.
Impact on Industry Relationships: J Prince’s relationships with artists like Drake and his actions during conflicts (e.g., with Meek Mill or Kanye West) underscore the power dynamics and protective roles that some figures play in the industry. This includes recent developments where J Prince’s silence on Kendrick Lamar’s diss track suggests a shift or reluctance in his protective role.
Overall, the checking-in culture highlights deep-seated issues of power, respect, and financial exchange within the rap industry. The system, which started as a safety measure, has grown into a complex web of influence, often blurring lines between protection and exploitation.
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