In a bombshell tweet that set social media ablaze, tech mogul Elon Musk unleashed a blistering attack on Beyoncé’s foray into country music, calling her latest album “absolute shit” and questioning the authenticity of her transition into the genre. The comment, which Musk allegedly made, “discovered the truth” about the roots of her music, sparked a raging debate about cultural purpose, artistic development, and — again — Musk’s penchant for touching on

The drama began when Musk, never one to shy away from taking shots, responded to a viral post and asked if Beyoncé’s Cowboy Carter (2024) album War “real country music.” His response?

“I just listened to Beyoncés “country” album. Sorry, but this is bullshit. Real country = Johnny Cash, Dolly, Merle. No… whatever. Feels like cultural appropriation.”

Within minutes, the tweet had garnered millions of views, with critics accusing Musk of racism, elitism and incredible ignorance of country music’s black roots.

Backlash from the Beyhive – and beyond

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Beyoncé’s FangemeInde, the Beyhive, rose to the ranks of musk and flooded her mentions with historical tributes to black contributions to country music — from pioneers like Charley Pride and Deford Bailey to the African origins of the banjo. Even other musicians weighed in.

Country star Maren Morris fumed:

“Elon clearly hasn’t done his homework. Beyoncé’s album is a masterpiece that pays homage to the country’s true history — unlike some billionaires who just cosplay as music critics.”

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Meanwhile, conservative commentators applauded Musk’s recording and framed it as a defense of “traditional” values ​​against “woke” influences.

Musk’s “Discovery” – what “truth” did he find?

Beyoncé is silent – ​​but the world is not silent

Queen Bey herself has not responded (she rarely does so for critics), but cultural analysts say Musk’s attack reflects a deeper pushback against black artists in genres historically dominated by whites.

“This isn’t about music — it’s about power,” Twitter journalist Touré said. “Elon can’t stand to see a black woman redefine a room he doesn’t even belong in.”

Musk’s younger speech fits similar patterns of black women (remember his smile?), and when they spoke freely, they were martyrs. But with X’s advertising revenue and credibility as a cultural commentator in Freefall, critics are asking: Is this just another desperate ploy to stay relevant?